‘Castle’
: Distractions and Decisions
By
Lisa Caputo
2015-11-09
Castle
and Detective Slaughter reunite for a twisted new case while Castle comes to a
decision regarding how to handle his separation with Beckett
Castle
returned on Monday night after a short hiatus but the episode marked the first
time throughout the long run of the series that one of the main characters was
absent for the entire episode. There have been times in the past where an
episode focused more on either one of the leads or on any number of the
ensemble characters but this was the first time the audience would be without
one of the four main characters of Castle, Beckett, Ryan, and Esposito for the
entire hour with lead Stana Katic being absent for the filming of the episode.
The result was an odd experience for this longtime Castle viewer. While
the episode had plenty of its own merits and delivered a truly intriguing and
extremely layered story, it felt somewhat unsettling to see, for the first
time, an episode completely void of the typical dynamic that has existed in
every other episode over the run of the series. I speak not only of the dynamic
between Castle and Beckett but also between them and with Ryan and Esposito as well.
This foursome has worked together in at least some capacity to solve the case
of the week in every episode thus far and the absence of that complete team
dynamic left an odd feeling hanging over the air throughout the hour. Even
still, a strong combination of so many on-point elements proved to be enough to
overcome that eerie feeling, at least for the most part.
Written by Alexi Hawley and directed
by Paul Holahan, Monday’s “Cool Boys” was, in and of itself, an impressive
episode despite having the monumental task of having to make up for the absence
of Kate Beckett. It was a clever story with plenty of witty one-liners,
fantastic dynamics amongst many pairings of characters throughout the hour, an
intriguing case that reunited Castle with Detective Slaughter again, and some
incredibly deep commentary as well at times, including further exploration of
Castle’s separation from Beckett as seen from his point of view, something we
had yet to see in full display so far this season. Truly, if one could get past
the odd feeling of not seeing Beckett throughout the hour, the episode was
quite impressive on its own, and the details of the episode as well as the many
layers to it would certainly be worth rewatching it to catch them all.
With Beckett out of town on police
business, Castle seemed resigned to a combination of boredom and misery, but
after asking for a distraction to take his mind off of his separation with his
wife, he was reunited with Detective Slaughter, the rogue gang cop who nearly
got him killed the last time they worked a case together. Funnily enough,
Slaughter’s first case with Castle also came at a time when he and Beckett were
at odds back in the fourth season and it was not long after that before the
couple overcame those obstacles. The episode, of course, also reunited Nathan
Fillion with his Firefly co-star, Adam Baldwin, and the chemistry
between the two actors certainly added a great deal to this episode. While
trouble still managed to find them just as it did the first time around, their
reunion provided much more depth to Slaughter’s character and primarily his
interactions with Castle that displayed a new side to himself and proved to
help Castle make a decision as to how to proceed in his relationship with
Beckett. Baldwin was superb in his performance, showing that there was much
more beneath Slaughter’s gruff surface without making him appear too soft
either. It was a tough line to walk between the two sides of this character but
Baldwin brought both out wonderfully and seamlessly weaved between them
throughout the episode, making it seem believable that Slaughter’s outwardly
rough persona was merely a guise to keep his real self hidden away from most of
the world.
But the episode also focused on a number
of other pairings as well, with all of the cast aside from Katic being involved
throughout the hour. There continues to be a noticeable focus this season to
include most of, if not all of, the cast members in nearly every episode. From
Lanie’s usual, albeit far too short, participation at the crime scene, to
Martha’s words of wisdom to her son to help him see why Beckett may have pushed
him away temporarily, to Alexis and Hayley interacting again and assisting
throughout with the latest case, there were many moments from each of them that
added that sense of family and kinship to the episode, just as they have all
season long.
One of the highlights of the episode
came out of the fantastic competition that seemed to arise between partners
Ryan and Esposito and their unlikely counterparts of Castle and Slaughter, each
pair trying to stay one step ahead of the other while they tried to solve the
case in their own ways. It was quite nice to see Ryan and Esposito being
protective of Castle, trying to keep him away from Slaughter, who they suspected
could have been involved in the murder himself, while Castle was quick to come
to Slaughter’s defense, reading him well enough and trusting his gut enough to
know that he needed to help clear Slaughter’s name despite the warnings from
his friends and family. There was certainly a sense of male bonding and kinship
throughout the episode, from the partnership between Ryan and Esposito in and
of itself, to the two of them looking out for Castle, to Castle forging an
actual friendship with a rather misunderstood Slaughter, to Slaughter later
opting to be a mentor of sorts to Louis.
As always, the episode was also laced
with clever comments and throwbacks to past episodes or, at times perhaps, even
to the audience themselves. Castle’s opening line, “This separation thing is
really getting old” may have been a witty way for the writers to remind the
audience that they know some are getting impatient with the storyline,
something even more brilliant when one considers how long ago this episode was
actually shot. Later on, Slaughter throws Castle’s cell phone out of the car
window, only to have Castle utter the exact same words this reviewer was
thinking, that he goes through far too many phones, pointing to the ongoing gag
that appears frequently throughout the past few seasons. There were also many
references to the previous episode with Slaughter and Castle, reminding the
audience of some of the best moments of that story as well. So often, those
details, especially the small ones we may only notice on additional viewings of
an episode, are there to give a nod to the audience and show appreciation for
taking this journey with them.
Despite Beckett being absent for the
hour, there was still a focus at times on her relationship with Castle and
their current separation. It was actually quite compelling to get a glance at
the current storyline from Castle’s perspective, both through his interactions
with his family early on in the episode and through his conversations with
Slaughter the rest of the way. And we learned more about Slaughter himself,
seeing a much deeper side to him as he revealed some interesting details about
his past and the wife he could not do enough to hold on to. Despite seemingly
being the last person in the world who was capable of giving Castle
relationship advice, these new details about his life opened the door to allow
Castle to better understand what he stood to lose if he went down that same
path as Slaughter did in his marriage.
In the end, Castle, Slaughter, Ryan,
and Esposito solved their case together and Slaughter gave his newfound friend one
last wise piece of advice; “Whatever’s going on with Beckett, she shouldn’t
have to go through it alone… I lost my
wife because I wasn’t man enough to put her needs ahead of mine. Don’t make the
same mistake.” And as Slaughter made his exit from the precinct, leaving Castle
to ponder his words, a certain look came over Castle, one we have seen many
times before. Looking back through the window at Beckett’s vacant desk, Castle
smiled with a twinkle returning to his eyes as he now understood what he had to
do; figure out what Beckett was dealing with and help her with it. After all,
it’s what partners are supposed to do.
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